

Emanuela Barazia Joll
Mezzosoprano - Falcon
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Events

“Qual è il nuovo stile vocale che sembra così minaccioso alla vecchia guardia? E’ la voce che ha a disposizione una gamma infinita di stili vocali che abbracciano la storia della
musica…”penso che un cantante moderno dovrebbe essere sensibile ed aperto, almeno in senso empirico, a questi diversi aspetti della voce”. Citazione da: “La coscienza della voce” di R.Maragliano Mori, ed.Curci 1970/2011
Oggi giorno, se consideriamo la proliferazione di cantanti definiti “cross-over”, che passano con disinvoltura attraverso generi musicali diversi, diventa estremamente importante una formazione ampia che tenga conto della complessità, e questa conoscenza è la chiave per lo sviluppo ed al tempo stesso protezione del nostro prezioso organo vocale.
Emanuela Barazia
In the Autumn of 2022, in Duo with Maestro Maurizio Colacicchi at the piano, we performed in various recitals, for the 'Amici della Musica' of Piacenza, and on tour at the "TNUA Concert Hall" of Taipei-Taiwan– (photo), and at the "Balai Recital Kertanegara Hall" in Jakarta (Indonesia).



TNUA Taipei
The Masterclass at the National Taipei University of the Arts in November 2022 was an inspirational and wonderful experience. Enthusiastic students guided by dedicated teachers offered me and Maurizio moments of great joy.
We wish them all the best in the future.




Archive
La Fenice Theatre,
Venice
I just recently discovered
that in the unique historical Archive of La Fenice Theatre in Venice, are kept beautiful photos of my Venice debut as Rosina of Rossini's "Barber of Seville". I was blessed by the opportunity to sing with an incredible cast, and I am
so happy to have retrieved these
pictures, which I thought to be
lost forever.
On the left, tenor Rockwell
Blake as Lindoro; on the right
Alfredo Mariotti as Dott. Bartolo.
12th of July, 2018.
Sang Suzuki from the Puccini's opera "Madama Butterfly" for the company Opera Siam in Bangkok.
Following an intense study of revision of my technique and, most importantly my repertoire, I only wanted to sing Suzuki once more, my first role ever, which I prepared and sang during my first years of studies with success.
Alike the great Lilli Lehman, I strongly feel that: "my artistic conscience urges me to disclose all that I learned".
About my voice, I decided to accept the definition "Falcon", which now days means a voice of mezzosoprano which can also reach soprano range, but I don't forget I worked as a contralto-coloratura too for many years.
I fought against my voice for a long, long time.
Not anymore.
Thanks

Suzuki, Opera Siam, Bangkok


